Miles Davis shocked the music world in when he left Columbia Records after 30 years to join Warner Bros. The musical direction Davis was taking during the sessions marked a radical departure, with the inclusion of funk and soul grooves; with plans to feature guest vocalists Al Jarreau and Chaka Khan. Eventually, the album was shelved and Davis went on to record Tutu, leaving the Rubberband songs unheard and untouched for over 30 years. Now the entire song Rubberband album makes its debut for all the heads. The cover art for the album is a Davis original painting from the time. The final version includes several guest artists including singers Ledisi a time Grammy nominee and Lalah Hathaway daughter of soul legend Donny Hathaway.
Davis' trumpet and wild keyboard are out of this world as per, but it's the Prince styled e-funk grooves which are gonna make you cut up the living room. Includes download code. Hip Hop's finest martial arts obsessives Wu-Tang cannot accurately be described without referencing one of the pillars in the Clan's discography; Chef Raekwon's "Only Built 4 Cuban Linx" remains firmly planted as one of the defining triumphs in their artistic legacy.
The oft referred "Purple Tape", has been cited and debated by many as the greatest Wu-Tang solo project to date it's the second best, behind "Liquid Swords" - ed and a remains a bullet point in any discussion involving the greatest "Cocaine Rap" or "Street Hop" albums of all time. Raekwon's narrative, plays out like a movie script from the violent, drug fueled, underbelly of New York City's criminal landscape, intricately woven over instrumentals from the legendary mastermind behind the Wu-Tang Clan, The RZA.
Even the album's main feature "Tony Starks aka Ghostface Killer", referred to as such rather described as a "guest star" appearing on 12 of the albums 18 tracks.
It should be noted that while the Only Built 4 Cuban Linx did produce a string of successful singles, such as "Ice Cream", "Incarcerated Scarfaces", and "Criminology", like all classic cinema, the album was intentionally engineered to be appreciated in one sitting, played from beginning to end. In continuing with it's proud tradition of honoring historically significant hip hop albums, Get On Down presents Raekwon's "Only Built 4 Cuban Linx", back on double translucent purple vinyl. This edition features for the first time ever on vinyl, the formerly CD only bonus track, "North Star Jewels ".
And if that wasn't enough, the entire album also features completely enhanced and painstakingly remastered audio. If you're after lyrics, flow, hooks, beats and the finest document of street life, you got it son!
Erykah Badu Dangerous feat. Rachelle Weston. The single was an immediate smash and was followed by an equally amazing album. Critics and fans alike applauded this release for its depth and well-crafted songs which made it platinum at the time of its release. Between the ages of 12 and 16 I reckon I played this album 6, times - and I still can't rap along to Busta's brilliant flow.
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The album went seven times platinum in the UK while selling over five million copies worldwide. A quarter of a century following its release, its songs sound as fresh and relevant as they did in The album marked a significant international breakthrough for Makeba. All of a sudden, people who never knew I had been in America since were asking me to be on their television shows and play at their concert halls during I went to Argentina for a concert and, across South America, they are singing my song. Released when interest in the myths, history and playlists of original New York clubs like Paradise Garage and The Loft was at its peak, the album drew on the outer limits of leftfield disco championed by Levan and Mancuso, bringing together unlikely dancefloor anthems by rock acts like Yoko Ono and Ian Dury, obscurities from cottage labels like BC and Splash and selected oddities from the unique mind of avant-garde hero, Arthur Russell.
Since its release, the compilation title has become a by-word for a whole genre of music and remains a landmark collection of its time. Cat Number Release date 30 Aug ' Sixto Diaz Rodriguez recorded "Cold Fact" - his debut album - in , and released it in March It's crushingly good stuff, mixing soul, funk, rock and psychedelia and filled with tales of bad drugs, lost love, and itchy-footed songs about life in late 60s inner-city America.
But the album sank without trace, thanks, in part, to some of Rodriguez's more idiosyncratic behavior, like performing at an industry showcase with his back to the audience throughout. As his music career became a memory, Rodriguez's legend was growing — on the other side of the world. While in the UK and US the album gained a cult status, in South Africa "Cold Fact" had become a major word of mouth success, eventually going double platinum. Eventually Rodriguez was tracked down, re-launching his career in the late 90s and selling out capacity venues in South Africa.
Back in , "Coming From Reality" was Rodriguez's last gasp, the follow-up to "Cold Fact" and the final album he was allowed to record for the Sussex label. Unearthed, once again, it's another treat for fans new and old, designed - at the time - as Rodriguez's vision of a perfect pop album. CD Info: Includes 3 bonus tracks. There will be the gram black audiophile 2LP vinyl edition in a gatefold jacket with replica backstage pass audio download card. Dia Pena. Gatefold sleeve. CD included.
A modern day traveler's global comfort, like finding a Bible in the bedside table, "Clandestino" defies cultural differences and boundaries and instead unites the world under one marijuana-patterned flag. As likely to soundtrack coffee mornings in the bohemian cafes of the Parvati valley as it is to light up the disco at your city's local Hatter's Hostel Manu Chao's distinct but unforced vocal delivery carrying the message of global unity and peace to all through some dazzling instrumental tracks. Every backpacker needs one! On the album Isaacs is backed by the Roots Radics - the allstar rhythm section who defined the sound of reggae in the 80s.
All recorded at home, almost exclusively solo, and, until recently, all self-released and available only via Bandcamp; the volume of his work online - combined with its vitality - has helped build a fervent cult fan base. Sonically, his palette fluctuates from the rolling rhythms of album opener 'After Ur Gone' to the distorted atmospherics of 'Hollow'; a shift that makes more sense when you realise Alex counts Silver Jews, Aphex Twin, Lucinda Williams and Boards of Canada amongst his diverse musical reference points.
Everything is tied together by the ever present winding open spaces of his languid acoustic strums and the meandering melodies of that classic indie aesthetic.
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Lyrically each track on DSU - from the more intricate narrative of addictive highlight 'Harvey' to the overtly questioning elements of album closer 'Boy' - reveals just enough to embolden the listener to explore beneath its surface - making what they will of Alex's introspective musings. Offering a sense of cathartic comfort in its moodiest moments, DSU is evidence of Alex G's pliable sound — one which has whole crowds singing his own words back to him with voracious intent.
The EP features a full-color cover as it had originally been designed, and has been remastered by Dave Cooley at Elysian Masters. Cabaret Voltaire Mute. A selection of material recorded by Cabaret Voltaire during the earlier and formative years of their existence. All of the recordings were done in an attic 10 feet by 6, on a domestic reel to reel tape recorder. A number of the recordings here were part of those which made up the now legendary limited edition cassette released by the band in Frakkur - Krunk. The legacy is three collections of work totalling 25 tracks collated into one triple album - each made a year or so apart, under slightly different circumstances and with different equipment.
The final part of the Frakkur trilogy, , was made in Cambridge, Mass. To mark the 10th anniversary of Riceboy Sleeps, a limited vinyl including the original album plus the 33 minute All Animals EP is released. Album has been remastered by Alex Gordon at Abbey Road Studios, as close as possible to the sound of the original release. Penis Envy, released in , was the third LP by the anarchist punk band Crass.
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Named as a reference to some of Freud's ideas concerning sexuality, this release marked something of a departure from the somewhat 'macho', 'hardcore punk' image that The Feeding of the and its follow up, Stations of the Crass, had to some extent given the group, for it featured more obviously complex musical arrangements, as well as exclusively female vocals by Eve Libertine and Joy De Vivre although Steve Ignorant remained a group member and is credited on the record sleeve as "not on this recording".
The album addressed feminist issues and once again attacked the institutions of 'the system' such as marriage and sexual repression. The album was banned by the retailer HMV. During the mids, Greater Manchester Police under the direction of James Anderton seized copies along with other records by Crass and the Dead Kennedys, from Eastern Bloc record shop.
Frank Schofield was charged with displaying "obscene articles for publication for gain". The band Flux of Pink Indians, its two record labels and its publishing company were also charged under the Obscene Publications Act. The judge ruled against Crass in the ensuing court case, although this decision was overturned by the Court of Appeal, apart from the lyrics to one song, "Bata Motel".
The heavy costs incurred by this episode were a contributing factor in Crass deciding to disband. Both the vinyl and CD feature fold-out poster sleeves and are exact replicas of the original pressing. Cat Number R Release date 30 Aug '19 Format Info Single black vinyl in fold out poster sleeve — replicates first original pressing. Yes Sir, I Will was the fifth and penultimate album released in March by the anarcho-punk band, Crass. The album was essentially a bitter and virulent attack on then prime minister, Margaret Thatcher, and her government in the aftermath of the Falklands War and was set nearly wholly over a raging and an almost free-form improvised backing provided by the group's musicians.
The original vinyl release contained no banding between songs, thus presenting the contents as one long piece split over both sides, making it the longest punk song ever recorded the CD release was tracked by individual song. That you can't say, "Well let's now concentrate on the Northern Ireland problem", "let's now concentrate on the problem of sexual relationships" CD Info: Fold-out poster sleeve — replicates first original pressing. Christ — The Album is the fourth album by Crass, released in It was released as a boxed set double vinyl LP package, including one disk of new studio material and another, entitled Well Forked… But Not Dead, of a live recording of their June gig at the Club in London along with other studio tracks, demos and tape fragments.
Unlike previous Crass albums, Christ took almost a year to record, produce and mix, during which time the Falklands War had taken place. This caused Crass to fundamentally question their approach to making records. As a group whose very reason for existing was to comment on political issues, they felt they had been overtaken and made to appear redundant by real-world events. Christ - The Album is considered to be one of Crass' best recordings. In a retrospective article written for the album, Harry Sword of The Quietus. It was released in and consists of a vocal and instrumental version of the same tracks in an avant-garde musical style.
The CD comes in cardboard digipack type packaging. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.
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Emerging fields like soundscape design and architectural acoustics opened up new ways in which sound and music could be consumed. For artists like Yoshimura, Ojima and Ashikawa, these ideas became the foundation for their musical works, which were heard not only on records and in live performances, but also within public and private spaces where they intermingled with the sounds and environments of everyday life. In an attempt to cultivate an image of sophisticated lifestyle, corporations with expendable income bankrolled various art and music initiatives, which opened up new and unorthodox ways in which artists could integrate their avant-garde musical forms into everyday life: in-store music for Muji, promo LP for a Sanyo AC unit, a Seiko watch advert, among others that can be heard in this collection.
Minimal, relaxing and utterly beautiful, this music is almost heavenly. Lush strings, swelling brass, glowing production, and humming atmospheres fill the record, adding a beautiful yet subtly linked counterpoint to his previously explosive debut.
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It is very cinematic, sounding like the soundtrack of a play that only existed in the musician's mind. For this release, not only the sound was remastered but the artwork of Barracas Barrocas was completely and faithfully restored. Cat Number Release date 23 Aug ' Kilimanjaro the debut album by the neo-psychedelic Liverpool band The Teardrop Explodes, which featured Julian Cope as its lead singer was released on 10 October A hugely ambitious, widescreen and epic record that recalls everything from the far away electronics of Basic Channel and Carl Craig, through the skewed songwriting of Postal Service, Flaming Lips and Grandaddy to the euphoric sound-scapes of Sigur Ros and My Bloody Valentine, We Can Create is a work of heart stopping extremes.
The critically acclaimed album was nominated for the Mercury Music Prize in Wilder is the second album by neo-psychedelic Liverpool band The Teardrop Explodes, and the final completed album released by the group. This new gm vinyl version of the album was cut at Abbey Road and uses the original Inner bag as well as cover. The fan favorite semininal debut by Andrew W.